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Not much here that I would have done differently. Join expert photographer John Greengo for a fast-track introduction, and unlock … Through the production company Dark Sky Media Chris specialises in shooting climbing, skiing and mountain biking and enjoys shooting in remote and inaccessible locations where just getting the camera out of the bag can be a challenge. Adam Burton. This approach enhances the contrast in textures that further helps the castle command attention. I love long exposures on the coast, having the ability to calm down raging oceans using filters and extending the shutter speed is a big win for me. He’s currently working on a time-lapse programme for the BBC Natural History Unit featuring his home county of Pembrokeshire and runs landscape and wildlife photography workshops throughout Wales. Ross Hoddinott is one of the UK’s best-known landscape and natural history photographers. Adding more of the beach in the composition would not have made the image stronger. If in process, he happened to push the tree on the far left out of the picture, all the better! Canny image. _gaq.push(['_setAccount', 'UA-28078185-1']); Doing so would strengthen the overall composition I feel. Call me a heathen, but I don't understand the fascination with old cameras, One of your very best arrangements, in my opinion, MJ. Mark Bauer. It is well exposed and I’m glad to see that the saturation hasn’t been overdone. The natural lead in lines to the tree have been carefully selected to create the ‘V’ that takes you there. But adding a more of an action feel to this shot by tilting the photo so the leading lines come from the corners of the image with the mast and ropes and some vignette. With wide-angle lenses it’s important to use them to their full potential, perhaps this scene could be enhanced further and given more impact from a slightly lower perspective. He is an Associate of the Royal Photographic Society, having gained this distinction for a selection of his “Fathom” abstract seascape images. The composition and colours are excellent, coupled with the well-chosen shutter speed to achieve the motion blur on the wave, sense of speed, along with a small amount of bokeh from the sea-spray / sun on the filter (upper right-hand side). I was Professionally trained @ Brooks Institute of Photography & have 20+ years of experience shooting professionally. Find an Illinois fall festival to attend in 2021. The slight distraction for me is the brightness of the light in the middle on the horizon, I’d like the viewer to enjoy the main part of the image and not be distracted by the bright light above the horizon. The old adage ‘less is more’ applies beautifully here. I like the placement of the tree on the left, where the ridge with pine trees on the right creates balance in the image. Tim Mannakee. That sort of thing does make a difference in a photograph as minimalist as this one, but certainly doesn’t detract from its beauty. I think the layers of texture and colour throughout this image creates interest and encourages the viewer to explore the scene. This would better define the line of the mountain. Colin Prior. Chris Prescott is an adventure filmmaker and photographer living in the mountain town of Chamonix in the French Alps. Again, not a lot. I notice the use of the Polariser which will have done a great job at reducing any unwanted reflections and glare from the glass. As the name suggests, the course is entirely devoted to wedding photography. The sea defences make wonderful subject matter for a seascape, and especially a long exposure, which Emanuel has achieved with a Big Stopper. Found inside – Page 7OTHER VOICES sama ana ON THE SCENES Franklin Cameron and Peggy Sealfon Canon 50 ... The answer , if you do night photography , timelapse / stop motion , panoramic , product photography or portraits ... you need a quality tripod . Found inside – Page 613In visit the old house at Soho , near Birmingham , where the renowned an ideal state of things , of course , the case ... meagre records of the transactions of the Lunar returns the borough member , or the son of a canon residentiary . There’s something wonderfully impressive about the heather when it’s in full bloom and this image does justice to that show of colour. Sometimes simplicity speaks volumes. The photographs are wonderful....half of the blokes look a little errrrrr poker faced to say the least and to be kind ;) Alison offers free courses to over 16 million learners Worldwide. Great use of the Big Stopper to control the scene and reverse the effects of nature! Good little camera the Kraus Rollette, used to have one with a Zeiss lens, perhaps yours has this? Ian and Keith, fab to have your UAs, very much appreciated. The use of negative space on the left side of the image really captivates me and adds a lot to the image overall. The use of a Hard Grad has left a bit of an obvious filter line across the horizon, but that can be overlooked because of the strong foreground.Carmen Norman. The combination works fantastically well. I love the layers of waves leading out to the horizon and the colours created by the setting sun coming through the spray from the waves is sublime. This style of image often relies on the use of an exposure of several seconds, so Stoppers are a key tool for photographers who enjoy capturing intentional motion and similar creative effects.Ross Hoddinott. ClearLEE Filter Wash (50ml) and cleaning cloth. The use of a Polariser gives both the desired shutter speed and also allows for some of the rocks below the water to be more clearly visible. I also think the exposure time, of over 7 minutes, has proved too lengthy, blurring the clouds too much and ‘smearing’ their colour. The very bright sky pulls the eye away from the scene itself, and out of the image. What a corker Keith, a great scene! This works so well in B&W as the subtle graduated tones in the bottom left corner and to the right of the waterfall maintains the interest in the falls. In this case, the foreground stones at the edge of the lake give enough interest to draw the viewer’s eye into the reflections in the lake and then up to the mountains and the sky. Processing – very much like composition – is a highly subjective and personal thing and there is no right or wrong.

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